They then introduced a comedy style relying on parodies of familiar modern media conventions as a means of making these historical details more immediately accessible. This process is perhaps most noticeable in the evolution of a song featuring the four Hanoverian King Georges: The finished vocal and backing tracks were later returned to Noisegate for post-production by Webb and colleague Matt Katz. Video game-styled sketches were achieved using a mix of 3D animation and live-action green-screen footage. These were rewritten as needed under Norris' supervision to ensure as much factual information as possible was included. They became a particularly close-knit group both personally and professionally. List of Horrible Histories episodes The divisions by historical era or civilisation in the book series are carried over in the TV show, focusing on events in or directly affecting Great Britain and to a lesser extent the larger Western world. Somebody had to fly those crazy acrobatic stunts and capture dramatic aerial footage, and he reckoned he could do it better, push his helicopter further, and guarantee the most exciting shots, which other pilots might have considered impossible. Six special episodes, comprising a mix of new and existing material around a single theme, were broadcast in the UK. He finally agreed to the new project on the condition that it be explicitly "horrible, funny and true". This stance sometimes encompassed traditionally accepted if not actually well-documented anecdotes, such as those involving Caligula. While disclaiming any active role in developing the subsequent series, he would eventually contribute to the writing as well as appearing in several small roles. Perhaps most explicitly, Scots-Jamaican nurse Mary Seacole was deliberately championed in both a sketch and later song as a forgotten heroine in the shadow of Florence Nightingale.
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While certain roles naturally lent themselves to a particular actor, Norris said that confidence in the entire cast's ability was such that the producers also experimented with casting against type. Flying the Lens is full of entertaining behind-the-scenes stories some that almost ended in disaster for Jerry and an A-list actor or two The process included several months of research into the historical facts, two to three months of writing, eight weeks of filming both on location and at London's Twickenham Studios , and three to four months of post-production.
This process is perhaps most noticeable in the evolution of a song featuring the four Hanoverian King Georges: Simon Farnaby, Martha Howe-Douglas, Mathew Baynton, Laurence Rickard, Ben Willbond and Jim Howick Individual sketches and songs were cast by the production team, sometimes acting on input from the show's stable of performers themselves.
He and fellow researchers read through many different studies and picked out suitably quirky, intriguing snippets, which were then pitched to the writers for development. In addition, original stars Farnaby and Howick will return in limited roles. They became a particularly close-knit group both personally and professionally.